Pavilion O2 Hanover 2020
Germany , Hanover
2020/08/21-09/13

Pavilion 0 was initiatied in 2013 with an exhibition at Palazzo Donà on Sampo San Polo in Venice in cooperation with Signum Foundation. Curators of the exhibition: Tomasz Wendland and Grzegorz Musiał.
The exhibition was attended by: artist whose works were presented on the exhibition: Andrzej Bednarczyk, Dorota Chilińska, Stephen Cornford, Clemens Fürtler, Guy Goldstein/Ariel Efron, Małgorzata Goliszewska, Nicolas Grospierre, Dieter Jung, Dariusz Kowalski, Takashi Kunitani, Robert Kuśmirowski, Ryota Kuwakubo, Sang Nam Lee, Daniel Lergon, Angelika Markul/Wojciech Puś, Michał Martychowiec, Renato Nicolodi, Yoko Ono, Maciej Rudzin, Saburo Teshigawara, José Ángel  Toirac, Koen Vanmechelen, Andrzej Wasilewski, Li Xiaofei
 
On the opening day, June 1, 2013, a conference was held ‘A Vision of the Future – Postglobal Art’. The conference was attended by: Kerimcan Güleryüz, Izabela Kowalczyk, Jarosław Lubiak, Shaheen Merali, Sławomir Sobczak, Harro Schmidt, Koen Vanmechelen, Tomasz Wendland, Małgorzata Wosińska.
 
The exhibition was supported by the Polish Ministry of Culture and National Heritage The title of the second edition Pavilion 0/2 was „Oxygen” and was referring to common cyber and biofuture. The exhibition was opened on May 9th, 2019 in Fabbrica H3 di serenDPT Ex Chiesa SS Cosmo e Damiano in Venice as a part of GAD projects.
 
Curators of the exhibition: Tomasz Wendland and Harro Schmidt.
 
The second edition of Pavilion 02 was opened on January 16th 2020 in Dům Umění in Opava in Czech Republic.
 
The third edition of Pavilion 02 was presented on August 21, 2020 in Kunsthalle Faust in Hannover. The exhibition was attended by: Florencia Bruck, Jakub Cikała, Hendryk Claussen, Ulrika Eller-Rüter, Vera Frese, Dariusz Gajewski, Filip Gajewski, David Rodriguez Gimeno, Liu Guangyun, Andreas Guskos, Wei-Ming Ho, Zbyněk Janáček, Javier Krasuk, Robert Makar, Arkadiusz Marcinkowski, Marjam Oskoui, Maciej Osmycki, Marek Sibinský, Jan-Peter E.R. Sonntag, Ya Lun Tao, Tomasz Wendland.
(source from GAD)